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OPINION: The 50 Best Albums of 2017

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It was a year of strife for most Americans and chaos for most of the world as fascism […]

December 3, 2017 Features, Heavy Metal

Perdition Winds – Transcendent Emptiness (2017) REVIEW

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Finland’s innovative contributions to second wave black metal are often underappreciated when compared to their Scandinavian neighbors and […]

December 2, 2017 Heavy Metal, Reviews

Taake – Kong Vinter (2017) REVIEW

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Taake’s ‘…Doedskvad’ was a revelation in 2005 as it combined the majesty and precision of Emperor‘s later era […]

December 1, 2017 Heavy Metal, Reviews

INTERVIEW: An in-depth conversation with Theophilos of Serpent Column (2017)

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‘Ornuthi Thalassa’ the debut album from Serpent Column is a masterwork of modern black metal inspired music. It remains […]

November 29, 2017 Features, Heavy Metal

Domgård – Ödelagt (2017) REVIEW

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In their twentieth year of existence it would be easy to mistake Domgård for yet another re-envisioned take on […]

November 27, 2017 Heavy Metal, Reviews

Aosoth – V: The Inside Scriptures (2017) REVIEW

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The initial appeal of Aosoth’s early works were admittedly their stripped down approach to Deathspell Omega‘s style of […]

November 26, 2017 Heavy Metal, Reviews

Heir – Au peuple de l’abîme (2017) REVIEW

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After a strange, ham-fisted and very unbalanced debut EP Heir are back with an inexplicably polished and well-dressed […]

November 13, 2017 Heavy Metal, Reviews

Thantifaxath – Void Masquerading as Matter (2017) REVIEW

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Though this mysterious avant-black Canadian trio is often described as discordant and strangely dissonant, the more I listen […]

November 8, 2017 Heavy Metal, Reviews

Kawir – Exilasmos/Εξιλασμός (2017) REVIEW

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Kawir is one of the more notable long running projects from the early days of Greece’s infamous black […]

November 7, 2017 Heavy Metal, Reviews

Draugsól – Volaða Land (2017) REVIEW

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As interesting and frightfully alien as Icelandic black metal has been so far, I don’t think many bands […]

November 3, 2017 Heavy Metal, Reviews

An Exhaustive Study: Melodic Black Metal [1991-Present] Part II – Darkness, Shadows, & Silence.

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Here I present Part II of the latest in a series of a comprehensive sub-genre analysis features that […]

November 2, 2017 Features, Heavy Metal

Enslaved – E (2017) REVIEW

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The muttering stagnation of Enslaved’s increasingly progressive sound is an argument for the ‘metal mind’ versus the ‘progressive […]

October 18, 2017 Heavy Metal, Reviews

Belus – Apophenia (2017) REVIEW

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I have what I like to call ‘vampire dog‘ teeth. Sharp incisors that ride a little higher on […]

October 17, 2017 Heavy Metal, Reviews

Arckanum – Den Förstfödde (2017) REVIEW

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My understanding of the aged and earthen career of Shamaatae doesn’t often progress beyond admiration towards transfixion because […]

October 16, 2017 Heavy Metal, Reviews

Jordablod – Upon My Cremation Pyre (2017) REVIEW

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When boiling down an album like ‘Upon My Cremation Pyre’ into it’s broadest strokes and deepest minutiae it […]

October 3, 2017 Heavy Metal, Reviews

An Exhaustive Study: Melodic Black Metal [1991-Present] Part I – Before the Light’s Bane.

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Here I present Part I of the latest in a series of a comprehensive sub-genre analysis features that […]

September 29, 2017 Features, Heavy Metal

Desolate Shrine – Deliverance from the Godless Void (2017) REVIEW

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Finnish atmospheric death metal band Desolate Shrine have evolved in strides since the claustrophobic bluntness of their debut […]

September 28, 2017 Heavy Metal, Reviews

Death Yell – Descent Into Hell (2017) REVIEW

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Death Yell has very little peripheral exposure as an obscure Chilean black/death metal band with a minor classic […]

August 21, 2017 Heavy Metal, Reviews

Cormorant – Diaspora (2017) REVIEW

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“Aeons pass before his eyes As generations turn to mist A seer rooted to the clay Prophesied to […]

August 18, 2017 Heavy Metal, Reviews

Serpent Column – Ornuthi Thalassa (2017) REVIEW

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“Wehe dieser grossen Stadt! – Und ich wollte, ich sähe schon die Feuersäule, in der sie verbrannt wird!” […]

August 16, 2017 Heavy Metal, Reviews

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