TERMINUS Extreme Metal Podcast #18 – Meslamtaea, Cultum Interitum, Hymn, Dumal (2020)PODCAST

In an effort to signal boost the greater cerebral symposium on extreme metal’s culturally valuable nuance we present an inspired and thoughtfully achieved review-centered podcast via the Death Metal Guy and the Black Metal Guy: The Terminus Extreme Metal Podcast. Having caught my ear and thrilled my brains enough with their first wave of episodes, I’ve requested to feature their work in aeternum or until they tell me to fuck off. The format is conversational but quite detailed and episodes run from 2-3 hours long via weekly formatted shows with review discussion and song clips alongside separate and intermittent 1-2 hour artist interviews.

After two episodes of virtually nothing but sword-and/or-sorcery-oriented pagan black metal (no bad thing!), we’re back to a more eclectic lineup. The Death Metal Guy sets the tone with a couple great choices, both black metal bands remaining faithful to the basic impulse of the genre while pushing toward weird new horizons — exactly the kind of originality we want to promote. Meslamtaea (ft. mem. of Asgrauw) blends the windswept Northsea melodies of traditional Dutch BM with authentic screamo and post-punk, seeking traces of green growth in the 21c city. Cultum Interitum (ft. mem. of Lunar Ascension??) bring the ugliness and evil back to BM, stripping it down to a skeleton and making the bones dance — a ghastly, lurching march through Satanic industrial wastes.

In Part II, The Black Metal Guy checks up on two promising bands that last released full-lengths in 2017. First is the young Norwegian band Hymn, who play rhythmically dynamic extreme sludge. We’ve virtually ignored sludge so far, and this gives us a chance to talk over the perils and potentials of the genre. Last but definitely not least is Dumal, who’ve taken their sweet time distilling triumphant Norse and Finnish BM into 100-proof Pennsylvanian forest riffs. The Terminus USBM squad will want to check this one out for sure!

Terminus Episode 24 – K.V.N.T. Kolektiv, Goratory, Yersin, They Came From Visions, Dressed In Streams TERMINUS: extreme metal podcast

At last, your daylong wait is rewarded with this sprawling and eclectic episode of Terminus. Today, we review not four, but *5* goddamn records back to back. We warm up with a special “Terminus reacts” segment on the new compilation of noise, industrial, and minimalist black metal by K.V.N.T. Kolektiv, longtime supporters of the show. Then, in a rare change of the marching order, The Death Metal Guy takes the helm for the leadoff band, Boston’s Goratory. You’ll hear TDMG introduce TBMG to the finer points of dizzying technical brutal death — with some wild melodic riffs thrown in — and explain what “New England death metal” even is. We roll on to the debut LP of Yersin, newcomers from England’s savage North whose  sound is difficult to pin down: Is it polished, catchy blackgrind? Is it the infamous “arena crust?” Is it beatdown with Immortal riffs? And where should they go from here?In the second half, we return to the “post-Slav” territory we started mapping out in Episode 23, with a rather disputatious review of Toadeater. The Death Metal Guy once more begins with They Came From Visions, an interesting Ukrainian outfit that folds the post-black tendency back into the darker, storming side of their native sound. We talk over the skillful, forward-thinking songwriting, which allows this band to evoke some unexpected moods. Finally, The Black Metal Guy introduces a project that many of our fans will really dig, but may have passed over for subcultural reasons — Dressed In Streams, an American tribute to Indian revolutionaries that blends wild Indo-Slavic melody with rhythmic modern hardcore bite. Whatever our gripes about the presentation, the songwriting speaks for itself. 00:00 – Introductory bullshitting05:00 – Terminus reacts to K.V.N.T. Kolektiv – Kovid 666 – K.V.N.T. Compilation 2020 (Kvnt Kolektiv)26:52 – Rundown of bands and labels31:52 – Goratory – Sour Grapes (Everlasting Spew Records)01:10:14 – Yersin – Guilt (Independent)01:48:37 – Interlude – Stormcrow – “Dead Dreams,” fr. Stormcrow / Sanctum split (No Options, LP; 20 Buck Spin, CD). Available on the Stormcrow legacy Bandcamp.01:56:35 – They Came From Visions – Cloak of Darkness, Dagger of Night (Bloodred Distribution)02:33:04 – Dressed in Streams – Swaraj: or, “Self Rule” (Colloquial Sound Recordings)*03:17:24 – Outro – Reek of The Unzen Gas Fumes – “Dehumanizing Cesspool for Future of Humanity,” fr. Reek of The Unzen Gas Fumes LP (GoatowaRex). Goatowa is now distributed by Ajna Offensive, but looks like they’re already sold out. Honestly I have no idea where to find this. *The Indian band whose name I totally mangle is Aparthiva Raktadhara, members of the Kolkata Inner Order along with Tetragrammacide and Kapala. Here’s their excellent demo, and here’s their extremely NSFW video, ft. real contemporary paganism — not exactly a Heilung music video, is it?Terminus links:Terminus on YoutubeTerminus on PatreonTerminus on SubscribestarTerminus on InstagramTerminus on Facebookthetrueterminus@gmail.com
  1. Terminus Episode 24 – K.V.N.T. Kolektiv, Goratory, Yersin, They Came From Visions, Dressed In Streams
  2. Terminus Interview – Old Mill Productions (ft. track premiere – Haljoruna, “Skumringsheim”)
  3. Terminus Episode 23 – Ildskaer, Cimetiere, Elcrost, Toadeater
  4. Terminus Episode 22 – Trident, Mysthicon, Panzerwar, Encephalic
  5. Terminus Episode 21 – Into Oblivion, Sammas’ Equinox, Insalubrity, Just Before Dawn

00:00 – Introductory bullshitting / thanks to Grizzly Butts et al. / rundown of bands and labels
12:24 – Meslamtaea – Geketend in de Schaduw van het Leven (Babylon Doom Cult Records)
55:32 – Cultum Interitum – Poison of Being (Godz of War)
01:21:05 – Interlude – Archgoat – “Whore of Bethlehem,” fr. Whore of Bethlehem, reissued most recently on Debemur Morti.
01:25:25 – Hymn – Breach Us (Fysisk Format)
01:57:44 – Dumal – The Confessor (Folkvangr/Vigor Deconstruct)
02:34:40 – Outro – Bak De Syv Fjell – “From Haavardstun,” fr. From Haavardstun EP, available digitally from the original label, Edged Circle Productions in Norway.

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